Arts for the 21st Century

Return to Me: Eccentric Outlier Chants for Reparations

Give me back my maiden name

and words for wonders that were mine:

bearded fig, sacred silk, forest, chalky mount and gully.

Let mine ancient baobab be, seed spanning

a sky of sea. Give me back mine own,

my name, my nyam.

 

Return to me my coral reefs,

limestone sweet with noises, secrets traded

in her dreams, wading deep in otherworlds

and other tongues

she’s been. Feel her rhythm in the winds,

how she sings clear of the shore of sargassum.

Be not afeared, be not afeared.

 

Give me back my red clay soil,

my virgin state before the trafficked goods

and chattel, great house, hut, cut stone, wood

and concrete jungle,

give me before the cane arrowed

and mills overran like giants tilting
                                                at the sweating, the sweating sun.

Take back your plantation yard,

your hell-plantation-nigger-yard,

with its bodies, blood, buried, and the bawling tamarind.

But leave the tree, its fruit, the flesh. The tongue tie-up

but the seed is just a seed to suck clean—

                                                is not, is not a haunting.

 

Take back your twisted plot,

your subdivided fields and hills and tenantries,

your terrace, heights, lows christened for massa and the massacre

and the long-memoried ones that once roamed,

put down root and were uprooted—

                                    my offspring, offshooting.

 

But let me

Not mis-chant….

 

                                    I dig, I do

                                    the deep dive,

                                    the archaeological find,

                                    the archive of fragment, bead, comb.

Ceramic pot, mine history in layers, the overlap

I like, admire, want, desire, alas I fear,

I dig there can be no mosaic, no me

without the broken pieces,

without the shards,

the sharp end

of the stick,

the whip,

the crack—

crick....

 

But still....

 

Give me back this rim of earth

before the first spill of blood, return me

to my unsettled self, as I was found, return to me

silence born not of fear or of haunting,

nor to keep the next ones safe or in the dark,

but to keep them, just to keep them....

 

Repair to me my stolen goods:

my Self, a dreaming stone,

continent coralled to a crowded dot, outlier

in an arc of sisters rousing from sleep—repair me

to the rem of possibilities

and not back, not back into nightmare

 

and, 

I swear,

I will reset

the run of days,

the seasons ’til nighttime catch.

Give me back the centuries, the single shot

to get it right, rewrite the bold experiment, all you

damn arrivants, a do-over, a chance

to fail better this time, fire

better, next time...

not to crack,

to crick

 

until....

 

I chant

my dreaming self awake. Remember me:

my forest, red clay, gully, gleaming teeth, remember me,

my caves slick with the drip-drip, the trick-

trickle down of ages,
                       remember, remember me,

      

       the name

they say was mine,

is mine.

 

Ichirouganaim, Ichirouganaim

And what came

Before the name

And what lies

Beyond the name?

Ichirouganaim, Ichirouganaim?

Los Barbados

To be Barbados

Or Barbadose’d

Wuhloss, Buhaybaduss!

 

Little Englanded

Bimmed, shired

Wuh de 114, muh 246?

What de history books seh?

What fake fact Google an’ de Chatbot seh?

Eccentric outlier at the edge of an arc—
first & last port of call to & from the Motherland?

What came before and what lies beyond

 

Ichirouganaim?

 

My name. My nyam.

 

I am. 

 

                I am.